The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012
The Scope in the Swell Waves – error-handling strategy; a project by Sachi Miyachi
I was invited by Sachi Miyachi as a guest artist during the process of making her work: The Scope in the Swell Waves – error-handling strategy 2012–13 at KiK [Kunst in Kolderveen]. http://www.sachimiyachi.com/
—
“It is my personal experience that many unfortunate events occurred worldwide in the year 2011. Confronting the scenes of destruction by the 2011 Great Tohoku earthquake and tsunami, together with other scenes of worldwide crises gave me a strong feeling of powerlessness and brought about an accompanying recognition of how fragile human technology and the world itself is. Although this sense of entanglement has stayed in my daily life, I have held close to the definition of art and human creation that deals with ‘the limits of the body, and the possibilities of the mind’. Whether individuals with personal stories, or scientists with specialist expertise or others, we can all make observations about how to improve societal problems and make positive transformations. Through this research, I wanted to create a new landscape to celebrate being in this world with our own human perception and experience.” Sachi Miyachi
7 x 10 x 20 m | Research, site-specific work, performance, collaborations and events | Mixed media | KiK (Kunst In Kolderveen), Meppel, The Netherlands | Project with guest collaborators and advisors: Annemiek Cornelissen (scientist), Stéphane Douady (scientist), Ariel Lindner (scientist), Sabai Anouk Ramedhan-Levi (architect/artist), Dafna Nur (artist), Nina Glockner (artist), Nishiko (artist), Treehouse (musician), Ank Daamen (artist), Eiko Ishizawa (artist), Esther de Graaf (artist), and more | Great KiK prize | Prix de Rome long list nominate | Photography Ayako Nishibori
1/14
21
Beeper Station 2012