Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland

Theatre performance SEKS

15 days performance Bellevue theater Amsterdam, 2010. Looking at different aspects of the sexual this performance sequel was no day the same. Every day highlighted another aspect embedded in a larger context; food, smell, play, children, form, clothing, the male, the feminine, dance, touch, sound, emotions, vulnerability, courage, etc. The audience was part of the performance by sitting on stage, as opposed to watching from a safe distance in the dark they sat in the bright light on separate stools looking at each other amidst the performance. Questioning the voyeuristic nature of being an audience in the theatrical construct.

Performance: Ingejan Ligthart Schenk, Aya Heijdenrijk, Roel Swanenberg, Jelte van Andel, Adelheid Roosen, Ank Daamen

Conceptual development: Merel de Groot, Fanne Boland, Ank Daamen

Sound: Jelte van Andel

Director: Merel de Groot

Dramaturgy: Fanne Boland